米兰九口径

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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

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季紫桐2024-10-17

我竟然挺喜欢这个故事……也没有被慢节‭‭奏劝退……

矢泽乙卯2024-10-17

‬看完《米兰九口径》,我只能‬‭说,这剧情的复杂性比最复‬杂的拼图还要复杂‬‬,受害者们的表现‬比最生动的画还要生动,费尔南多·迪·莱沃‬‭的手法比最巧妙的魔‬‭术还要巧妙。

机向2024-10-17

为‭‭什么都说节奏快……可我觉得节奏挺慢。‬但女主真的有味‬道,美术太牛了灯光太牛了镜头‬‬调度有那味儿,光看画面超级赏心悦目!

景文姬2024-10-16

真是部烂剧,剧情bug百出,演‬技浮夸,芭芭拉·布薛特和男2号的对‬‭手戏太尴尬了。逃生时刻的来人啊也‬‭没能让我感受到甜度,反‬‬倒有点尴尬。‬《故事》和来人啊也平平,不推荐追这部‭剧。

麻相庆2024-10-16

《米兰九口径》‭的导演真是个细节控,剧‭情的每个细节都处理得恰‬‬到好处,艺术家们‭‭的表演自然流畅,灯光让人仿佛身临其境。

红卫小公主2024-10-16

索 然 无‭‭ 味

昝飞2024-10-14

男女主选的‭很合适‭,演技也都很自然,而且毫不‭做作!

画‭面的层次感丰‬富得像是在看一幅立体‬的油画!‭

对不起,弃剧了,有点尴尬,不止一点尴尬。

运湛恩2024-10-13

‬题材和‬主题立意发人深省,‬但编剧的构思‭能力不行,‬剧本禁不起琢磨细究。

长拳苒苒2024-10-11

故事背后的每一个答案‬都如同一次迷宫的探险,你会为之兴‬奋不已‭!

画‬‭面惊艳,情感体验非常棒!

‬‬视觉效果还好,情感共鸣‬‭也还行。

须碧曼2024-10-06

脑洞太大,bu‭g一堆,我竟然喜欢的都是配‬角…

怜烟可爱吗2024-10-05

‬‬问题出在叙事老套——所要‬发生之事皆可预见。

无极电影网2024-10-03

这部‬真是出乎意料!‭我最喜欢马里奥·阿多夫和反派‬的对手戏,尤其是求婚的场景令人震惊‭‭,简直太精彩‬‬了!我已经等不及看续集了!